As one can imagine, writing a Broadway musical has its challenges. But it turns out there are challenges one can’t imagine when collaborating with two rock legends and a superstar director to stage the biggest, most expensive production in theater history.
Song of Spider-Man is playwright Glen Berger’s story of a theatrical dream–or nightmare–come true. Renowned director Julie Taymor picked Berger to cowrite the book for a $25 million Spider-Man musical. Together–along with U2’s Bono and Edge–they would shape a work that was technically daring and emotionally profound, with a story fueled by the hero’s quest for love–and the villains’ quest for revenge. Or at least, that’s what they’d hoped for.
But when charismatic producer Tony Adams died suddenly, the show began to lose its footing. Soon the budget was ballooning, financing was evaporating, and producers were jumping ship or getting demoted. And then came the injuries. And then came word-of-mouth about the show itself. What followed was a pageant of foul-ups, falling-outs, ever-more-harrowing mishaps, and a whole lot of malfunctioning spider legs. This “circus-rock-and-roll-drama,” with its $65 million price tag, had become more of a spectacle than its creators ever wished for. During the show’s unprecedented seven months of previews, the company’s struggles to reach opening night inspired breathless tabloid coverage and garnered international notoriety.
Through it all, Berger observed the chaos with his signature mix of big ambition and self-deprecating humor. Song of Spider-Man records the journey of this cast and crew as a hilarious memoir about friendship, collaboration, the foibles of hubris, and the power of art to remind us that we’re alive.
This book was highly-recommended by a friend, and after having read it–I can see why.
Glen Berger takes us on the journey Spider-Man: Turn Off The Dark began–from the moment he stepped on as the musical’s co-writer. As the book’s blurb already mentioned, we bear witness to everything the musical goes through– But, ultimately, we become privy to all the heart that was poured into the project by all the people involved.
Living in the Philippines, everything I knew about the Spider-Man musical fiasco, I learned online; and thus, I had taken everything with a grain of salt. After all, a musical that had a high rate of injuries couldn’t have been allowed to continue as long as Turn Off The Dark did. Right? So it was eye-opening to see just how much the online news got right… and how little was exaggerated, at least, as told by the memoir’s author.
But what happened behind the scenes weren’t just a series of unfortunate events. What really draws you in, if you choose to read this memoir, is the love that can be found in the words that Berger writes. Even at his lowest point, Berger shows the love he had–maybe still has–for the project and all the people who were involved in it.
What pushes you to read page after page is how much humor Berger puts into every paragraph, every chapter, even as the world they are building within the narrative is collapsing. It’s like that comic strip of the dog in a burning house. The one that doesn’t do anything, until the last box where he says “this is fine.”
The book recounts the events of a train wreck–and makes you like reading about it.
But what the book ultimately sells isn’t the insider story of how a promising musical became a spectacular failure; but rather how, against all odds, we will still risk everything for a shot at brilliance. At success. At an art that straddles the fine line between profitability and meaning. And the lesson that not everyone will make it, but it doesn’t mean we stop trying. Even when we fail over and over again.
The Song of Spider-Man is a must read for everyone who ever dreamed. The behind-the-scenes shenanigans and gossip that the book makes known to its readers are just icing on the cake.