“Despite the hunger, despite the lies, even despite the plague, the kids of Perdido Beach are determined to survive. Creeping into the tenuous new world they’ve built, though, is perhaps the worst incarnation yet of the enemy known as the Darkness: fear.
Within the FAYZ, life breaks down while the Darkness takes over, literally–turning the dome-world of the FAYZ entirely black. A will to survive and a desire to take care of those they love endures in this ravage band, even in the bleakest moments. But in darkness, the worst fears of all emerge, and the cruelest of intentions are carried out. After so many months, is all about to be lost in the FAYZ?”
To be quite honest, the only reason I’m even finishing this series is because I’ve already invested in it. That said, I do think Fear is better than the last three books. Which would make Gone (the first book) and Fear, the only decent ones in the series.
Not that any of my previous problems with the series actually goes away. I’m still annoyed that we keep getting introduced to new characters who ups and dies anyway. I get that there’s a need for death, because it’s dystopian on speed. But it doesn’t really have much of an emotional impact if the characters that get killed off are characters you’ve only just met.
The ensemble cast still doesn’t gel. And by that, I mean we’re still following way too many stories–even though it’s the second the last book and things need to get tidied up soon.
And the characters still flip flop from between being a good guy and a bad guy. Which is really frustrating. You can’t even trust your heroes to do what you expect them to do. Every book, they do something so out of character that it’s actually starting to become a trait now.
What worked for the book though was the new elements: the countdown made sense again, as by the end of the book, a major thing does happen to the world our characters inhabit. and then, there’s the outside world where we finally see what happened to all the other people who were ejected by the FAYZ.
It really helps the book that the end game is upon it. There’s really no need to stretch storyline anymore.
Little Pete is still being an annoying jackass, more so now that he’s an omniscient presence. And I still don’t get, three days in, what his deal is with the avatars and his meddling with people’s DNA. It doesn’t move the story along, aside from add to the fear factor, and after the couple of victims die, you don’t even fear for any of the main characters’ life as they’re obviously safe from whatever the author would think of next.
Which brings me to a point of consternation.
Does Michael Grant love his characters too much? Because there are times when a writer really should learn to let go. And really, if he’s going for emotional deaths, nothings crushes a heart more than a beloved character dying.
Just ask Joss Whedon.