“Ella is a girl who can see dead people–a fact that does not go unnoticed by the ghosts of a retreat house where Ella and her classmates have to spend a weekend reflecting on their lives. When her schoolmates try to discover if the horror stories about the retreat house are true, they unwittingly awaken an evil being bent on keeping an old family scandal a secret. And it us to Ella to stop the evil from killing her schoolmates one by one.”
First, I want to get something straight: I’m a fan of Jun Lana’s independently-produced films. They’re smart, heart-tugging, and inspiring for a storyteller like me. Which brings me to the reason why I need a disclaimer in the first place: I don’t understand how a brilliant mind like Jun Lana (in directing and writing) can produce something like Haunted Mansion.
Of course, I know that this is a Regal film. I know I shouldn’t expect something earth-shattering. But Regal Films is the production outfit that produces the Shake, Rattle, and Roll franchise! At the very least, they should know how to do horror right. But, alas–
I’m getting a little ahead of myself here. Let’s start with the main reason why I don’t think Haunted Mansion is a good horror movie: the story is too complicated. Every single thing has to have an explanation. Why is this ghost doing this? Why is that ghost going there? The flashbacks, the segues, the expositions–instead of feeling like natural progressions for the story, they feel like sandbags that weigh the movie down. And the characters don’t even work for these information–they’re all handed to them by peripheral characters!
And then there’s the disconnect with the main character. Ella is supposed to be the person that the viewers will root for–but her muddled characterization makes it hard to even understand what she wants. She has issues with the way her father died. She can see dead people. She has a crush on a popular guy. Her best friend just told her that he likes her– So many things are happening, and the only important thing here should be her father issues. Which I feel was sidelined by the love triangle that feels forced anyway.
It doesn’t help that Ella’s actress, Janella Salvador, only shines when she’s fighting back against her oppressors. Well, the fighting back scenes and the ones she share with Jerome Ponce. It’s obvious that the actress has a preference as to which love interest she wants to end up with.
Then there’s the casting of Ingrid dela Paz as the rival. I don’t know if this was a given, but they should have picked someone else to play the popular girl who has it in for the underdog. Mostly because Janella is prettier than her and has better fashion sense. Also, she’s nice. Anyone who has gone through high school knows that those three things will instantly make you more popular than the bitch no one wants to cross. They should have gotten someone who was prettier. Or, at the very least, not used the very tired trope of the popular mean girl.
Now, if they were bound by the casting of Ingrid, the film’s wardrobe department should have intervened. What was so difficult about making Janella more dowdy, and putting Ingrid in more fashion-forward clothing? The characters keep saying that Janella’s character is a weirdo no one wants to hang out with, but nothing about her bearing and clothing reflects that.
A horror film works when it is grounded in reality. When it feels like it can actually happen. Seeing as the casting already made the film unrealistic, you would hope that at the very least, the logic behind the haunting would be sound. But, no.
The great evil of the house is supposedly a ghost but they suddenly becomes corporeal. And then, just to add the implausibility of it all, they are revealed to be a practitioner of the dark arts. Nothing leading to that reveal will prepare you for it, and it feels like it was only included to make it logical for said evil to be as powerful as they are.
Oh, and let’s not forget the opening scene that has no connection at all to the rest of the film: a kid and his mother finds themselves stranded by the retreat house, only to be killed by dark forces. And it is never mentioned in the film again!
Don’t even get me started on the out-of-the-blue scare that was supposed to establish Ella’s ability to see dead people. Because it’s such a perfect set-up to actually head into the scares, but is wasted when the movie goes back to setting up the unnecessary love triangle.
Nothing in this movie makes sense.
Haunted Mansion offers nothing more than cheap scares and shock factor. If you’re looking for something with more substance… Look elsewhere.