Superheroes are the norm in Studio Salimbal‘s two one-shots: Bravos Manila and Bravos Cebu. In it, celebrities have been replaced by tiers of super-powered individuals who are working to help innocents against… well… villains.
In Bravos Manila, a slacker hero named Kit Kamao finds himself in an impossible situation when he suddenly becomes the face of resistance against a giant dream-fueled monster. Meanwhile, Pedro Pilandok tries to recruit a new hero in the pages of Bravos Cebu.
Story-wise, both one-shots are awesome. I love this new superhero-filled world that the two comic books are establishing. But I found myself being drawn more into Bravos Cebu because of the art. It’s simple. Clean. Easy to understand.
The thing is, I think Bravos Cebu looks and feels simple because there isn’t a hundred and one things happening in every panel. I get that Bravos Manila is trying to set the tone of just how many heroes there are, but I thought it needed to scale down a little bit.
In the first few pages of Bravos Manila, I actually thought the whole world was filled with super-powered human beings. It wasn’t until later, when our hero tries to help kids that I realized there were non-powered beings as well.
That said, I do commend the artist for making the heroes not look a like. That’s a feat for someone who has to draw a thousand of them in every page. They all have personality, and you get a semblance of who they are or what they can do.
There’s just too many of them.
It does get better midway though, when we’re no longer scrambling through the peripheral heroes. Once the action sweeps our main protagonist up, the story and art becomes easier to follow.
And I really like how it ends.
I’m hoping though, that when the series Maharlika High does arrive, these two one-shots would still be canon. That they will actually have an impact on what happens in the series being set up.