“Twenty-eight-year-old Eloisa Carreon has come home to work at her family’s bakery as a cake artist after years of studying and working abroad. She years for the independence she had while living in New York and Singapore, but her overprotective parents and big brother monitor her every move. When she is tasked with creating a masterpiece for a high-society wedding, Eloisa meets handsome videographer Sean Alvarez. They discover a shared outlook on life and a mutual desire to escape the excesses of the nuptials. The attraction between them is undeniable, but Eloisa is weighed down by family expectations and emotional baggage from a past relationship.
With the wedding of the year fast approaching, Eloisa has a decision to make: Should she play it safe to avoid heartbreak, or take the risk on happiness with someone who can show her how to love again?”
Ignoring the fact that the back blurb of the book was misleading, I’m still a little disappointed with Save the Cake. Not because I had high expectations to begin with, but because my expectations rose while reading the book.
When I pick up local books that are in English, there is always a tendency for the protagonists to read and talk like western characters. Which is why it was such a pleasant surprise to find that, from the moment we meet Eloisa Carreon, I knew she was a Filipina–even with her background in New York and Singapore.
I have to commend author Stella Torres for how grounded in reality her character feels. There’s just something about her, something I can’t put my finger on, that makes her breathe–that makes her come to life. She doesn’t feel fictional at all. Which means the author had done her job well with the character.
Something she also did well? The set-up. The first ten chapters of the book was a breeze to read. The author took time to establish the world Eloisa lives in, the family she lives with, and the people who orbit around her–but the pacing never lags. Everything is just right.
Until, suddenly, it wasn’t.
To be perfectly honest, I don’t know how Mina Esguerra’s Romance Class works. I don’t know if they have a deadline to beat, or if the novels were longer and had to be shortened for physical printing, or what. What I do know is that starting with Chapter Twelve, the pace suddenly goes into hyper-drive. It’s like there’s not enough time for everything to happen, and the structure suffers because of the breakneck pace the story suddenly employs.
The characters continue to feel whole though. Nothing changed with how they are written, with how they talk and react–but they are talking and reacting to things that shouldn’t have happened yet. New developments are shoveled in before the characters can even process what had just happened. The characters aren’t allowed to breathe. And this is a shame.
Because I would say that Save the Cake had a potential to be better, had it been allowed more time to stew. This is a romance novel, so why hurry through the romance? Why hurry through the nuances of a love story?
If you want readers to take local romance stories the time of day, then give them the time to fall in love.