When I read Tabi Po the first time, I was amazed by the art that I didn’t really give the story a lot of thought. The story entertained me, and made me think–and that was enough because the drawing and the colors evoked emotions–and horror–splendidly.
But I don’t think it will be fair for the second issue of Tabi Po for me to continue waxing poetics about the art. Especially since this time, we finally see that the story does plan on going somewhere; and the destination looks good.
In “Isyu 2” of the series, we don’t immediately start with Elias–the main character we met in the previous issue. Instead, we are introduced to a different monster; a monster familiar to a lot of people, whether they believe in the supernatural or not. And, for the first time, we get to see Elias as something other than just an Aswang.
Elias continues to be a monster, but he is not THE monster in this story. That role falls to new characters who are a little familiar to anyone who has had to read Jose Rizal’s works: Pade Damaso, Padre Salvi, and even Quiroga. Characters from Noli Me Tangere.
Now, I don’t know what writer/artist Malonzo’s reasons were in deciding to use these characters, but it does ground the story in a very specific timeline–with a very specific political air. And putting the three Aswang we got to know in the first issue smack dab into a familiar tale, is very intriguing for me. Especially since they’re starting to have different views on how they should survive–without turning their backs to who they really are.
I am definitely very curious to see where Malonzo takes this story from here, but I’m sure that the road there will be very interesting.