Television: Sherlock and the Sign of Three

"The Sign of Three"

Sherlock faces his biggest challenge of all – delivering a Best Man’s speech on John’s wedding day! But all isn’t quite as it seems. Mortal danger stalks the reception – and someone might not make it to the happy couple’s first dance. Sherlock must thank the bridesmaids, solve the case and stop a killer!

As is always the case with Sherlock, the second episode doesn’t match the intensity of the premiere. But that’s not to say that The Sign of Three was bad. It wasn’t. It was brilliant, funny, and poignant. It just wasn’t as good as the first off the series. Not for me. And I can attribute this to two things:

Number one is the storytelling. Whilst I completely enjoyed Sherlock’s discomfort at having to give a best man speech, the digression towards The Bloody Guardsman and the MayFly cases were what really hooked me in this episode. So much so that whenever we would go back to the wedding, I would feel a tinge of disappointment. The entire episode was brilliant, some parts were just more brilliant than the others. Which isn’t, I’m guessing, how you want viewers to remember the episode. The sum should be equal the parts.

But, spoiler alert, what really made this episode less enjoyable for me, was how neatly the puzzle pieces fit together in the end. How convenient was it for Sherlock to remember the two cases that would lead to the mystery in the wedding? I mean, really. Out of all the cases he can use to highlight John, he uses the two unsolved ones that would pinpoint a murderer in their midst? And the murderer was there. He was listening to the anecdotes. He should’ve realized that he had to start making an escape plan, and not just a hasty exit after the reception. I understand the need to keep cover, but his escape could’ve been smarter. After all, in the two unsolved cases Sherlock presented, he was ingenious with his means. Why suddenly be an ordinary-thinking criminal with something to hide?

And then there’s number two: Sherlock Holmes. Two people living together as long as Sherlock and Watson have are bound to become more acclimatized to one another. They show each other sides that they normally hide from the public. But there was something off about how Sherlock was written in this episode. I mean, for the most part it’s the Sherlock we know and love, but there would be lines of dialogue that were funny but doesn’t feel right coming from him.

Sherlock is socially awkward, we get it. But he is a high-functioning sociopath, as he likes to remind us. Getting a crowd to listen to him be smart should’ve have silenced him in the beginning. Wouldn’t getting a captive audience invigorated him? And then his admittance at not solving a case? Two cases? Arthur Conan Doyle’s Sherlock Holmes might do that. Robert Downey Jr.’s Sherlock Holmes might do that. But the BBC version hasn’t shown us that he is capable of being humble, even for just the span of a second, that it feels off when he does do it.

But these are just nit-pickings. The Sign of Three is a solid episode. It… It’s just not for me.

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One thought on “Television: Sherlock and the Sign of Three

  1. Pingback: Television: Sherlock and His Last Vow | taking a break

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