“Jesse sees dead people, monsters, demons, and lots of other things that go bump in the night. Things that no one else can see. No one except his ailing grandmother — a woman who used her visions to help those living in her small town. The same rural community in all the scary stories Jesse’s heard as a child. Man-eating ogres in trees. Farmhouses haunted by wraiths. Even pigs possessed by the devil. Upon his grandmother’s passing, Jesse has no choice but to face his demons… and whatever else might be awaiting him at Lola’s house.”
If one was to judge a book by its cover, you would say that this book isn’t scary at all. And you would be right. Because I don’t think the intent behind this book was to scare. At any capacity. Which makes me wonder–what exactly was the purpose behind Lola: A Ghost Story?
The story is nice. Unfortunately, it’s just that– Nice. It’s not groundbreaking in any way. Nor is it very original.
It’s a story designed to pull at the heartstrings, but only manages a few tugs before giving up.
It’s a story that sets up a world it has no intention of visiting again.
But it’s very likeable. Which, I think, has more to do with the art than the actual story. Because looking back at it now, asking myself what I liked in the book… I’m drawing a blank.
Well, that’s not true. I really liked the art. The story though, I feel, was a wasted opportunity.
Writer Torres sets out to tell one story, a visit to the Philippines mitigated by the death of the title character: the grandmother. It weaves stories about said grandmother to tell the reader how special she was. But the actual story happens at present, at the wake her grandson from Canada is forced to attend. And his story doesn’t really connect with the grandmother save for the fact that they share the same gift: the ability to see visions–and talk to dead people.
Something we don’t really get to explore much.
We get teases of it, sure. And the actual story does deal with one ghost. But juxtaposed with the more fantastical stories about the grandmother–the main plot falls flat.
And then we get to the ending with its vision of the future.
Closing the book, I had to ask–what was the point of the ending? And then, as I type this, I followed this up with, what was the point of the whole story? Is it about acceptance? About destiny? About faith?
Whatever the story may be about, it remained unclear and unrealized.
But the art was really nice.
Of course, I could be looking at this the wrong way. Someone out there might have been able to discern why this book is good. So let’s see what other people said about the book:
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