Movie: Pak! Pak! My Doctor Kwak!

"Pak! Pak! My Dr. Kwak!" starring Vic Sotto, Bea AlonzoI am all for promoting Filipino films in my blog, but this… How do I start?

Pak! Pak! My Dr. Kwak! is a romantic-comedy film that tackles the question: what happens when science meets faith? Vic Sotto plays a faith healer Angelo who clashes with a Cielo, a doctor, played by Bea Alonzo. But when a punished angel falls down from the sky and into their lives, the two learns that their ways of healing can co-exist—if they would only let it.

It’s a pretty basic story that follows the Vic Sotto movie formula: guy meets girl; girl is enamored by guy—but knows that they are incompatible; guy and girl starts to go out—but guy has one principle that goes against what girl is in his life; guy and girl makes a compromise, and they live happily ever after. Of course, we can’t discount the life-and-death situation that invariably crops up in all Vic Sotto movies—but I won’t say who almost bites the dust in this movie.

I’ve accepted this formula, and I am absolutely fine with the fact that many Filipinos (if the full theater last Saturday was any indication) find his brand of humor funny—regardless of the formula. Heck, I’ve even accepted the fact that Vic Sotto is getting partnered with a female lead who is decades younger than he is! But something about this movie rubbed me the wrong way.

Is it the fact that Bea Alonzo was reduced to a sniveling, whining b*tch who falls in love at a drop of a hat? Is it because of the mischievous angel who’s supposed to carry the morale of the movie doesn’t really show any angelic qualities aside from the “let’s pray” and “you have to do good deeds” mantras? Or maybe it’s because the movie glorifies faith healing, and then takes it back by suddenly saying that it is alternative medicine?

I don’t know who wrote the script for Pak! Pak! My Dr. Kwak! And I have nothing against him, her or them. But I have to ask, was there really a need to make this movie? Sure, from a financial and marketing point-of-view, I guess there is. But couldn’t they have written a different story that could’ve used both Vic Sotto’s and Bea Alonzo’s strengths? I’ve seen Vic Sotto in a very dramatic role, and he can pull it off. Bea Alonzo does seem to have comic timing from what I’ve seen of her work. So why weren’t these utilized in place of the cheap laughs?

If you’re going to say no one forced me to watch the movie, well, no one forced you to read this post either. And, actually, I was forced to watch the movie—by my mother who is a big Vic Sotto fan. So I’m writing these thoughts online just so I wouldn’t feel the PhP170 paid for my ticket doesn’t actually go to waste. Yes, it’s 20 pesos more expensive than Beastly, which wouldn’t bother me had the movie been any good.

But it wasn’t good. And it made me really sad listening to the people inside the full theater laugh out loud at the jokes that made fun of people’s looks, and their misfortune; and it made me even sadder that people would watch movies like this in droves, and wouldn’t watch good films, also produced locally, like Senior Year.

Is there still hope for Philippine Cinema? Or will we be subject to films like this because this is what the masses want? I’m not being pretentious. I’m not saying we should only watch quality films where we can learn. I’m all for entertainment, and escaping through means of film. But can’t we do that while maintaining some standards? Just a little bit of standards. Like, you know, not supporting comedy films that aren’t really funny if you take out all the mean things said about people who aren’t as good-looking as the lead stars.

What do you think?

8 thoughts on “Movie: Pak! Pak! My Doctor Kwak!

  1. well I think that movie isn’t so bad though it seem to be so slapstick..I prefer the old ones not just the humor from it but also the essence..Lamok sa kulambo is my favorite,I’m not as old as this movie though..hehehe

    • You mean the classic Filipino comic movies? I kind of grew up with the Vic Sotto – Dolphy – Rene Requiestas brand of comedy, so I’m not familiar with movies like Lamok sa Kulambo–or other classic movies. (Sad, I know.)

  2. There has always been hope for Philippine cinema. The likes of Raya Martin, Lav Diaz and Jerrold Tarog have always been proof that there is. I think the main problem lies in what the film studios prefer to release. Yes, the tastes of the masses are also hindrances to such standard, but we have to imagine how the mainstream releases influences their tastes.

    • This is a vicious cycle. Studios release what the masses want, and the masses watch what the studios release. Thing is, when studios try to change it up a bit, the masses don’t like it. The masses don’t like it when movies are too intellectual because it makes them feel stupid; they don’t like it when it’s too metaphorical, too symbolic, too meaningful for, often, the same reason.

      It limits writers and directors.

      But we do, sometimes, get films that are able to straddle mainstream and quality. Though they’re not always lucky in box-office returns. Which is why studios don’t like releasing movies like that: it has that risk of losing money. Movie-making is also a business. When people don’t watch, they won’t have the money to fund their next movie.

      So now, we need the masses to prove that they can handle movies that aren’t just slapstick comedy, or formulaic love stories. Once the studios see the shift in interest, they’ll be sure to follow suit.

  3. amen brotha!

    My mom also forced me to see this movie. I already had a foresight that this movie wasn’t gonna be funny, but my mom told me to give the movie a chance. But unfortunately my foresight was right.

    It was a complete WASTE of money and time… 😐

    • I did give the movie a chance, actually. I wanted to like it. Just because it was a Filipino movie. I really did hope that I would be wrong. I even told myself that I liked “Si Agimat at si Enteng Kabisote” enough to promote it–so maybe I can do the same here. Except it really was a waste of time and money. 😐

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